Jun 16

Design icons Charles & Ray Eames

2007 at 03.38 pm posted by Veerle

One June 17th, 1907 an American designer was born. He worked together with his wife Ray for most of his life and made a tremendous mark in design history. Both their legacy contains many classic, iconic designs of the 20th century. If you are a fan of design furniture you probably already guessed that I am talking about Charles and Ray Eames.

Biography

Charles Eames was born in 1907 in St. Louis, Missouri. That's also the place where he attended school and developed an interest in engineering and architecture. He also spent two years at Washington University on scholarship. After working some time in a architectural office he started his own office in 1930 with partners Charles Gray and later Walter Pauley. He began extending his design ideas beyond architecture and received a fellowship to Cranbrook Academy of Art in Michigan, where he eventually became head of the design department.

That's also where he met his second wife Ray Kaiser. She assisted Charles and Eero Saarinen in preparing designs for the Museum of Modern Art's 'Organic Furniture Competition'. Eventually they would move to Los Angeles, California, where they would work and live for the rest of their lives. They continued their design work with molding plywood. The first production in 1946 of Eameses' molded plywood furniture was done by Evans Products. Not long after that production was taken over by Herman Miller, Inc., who continues to produce the furniture in the United States to this day. In Europe and the Middle East the furniture is manufactured by Vitra International.

The Eames house

Like any couple, Charles and Ray needed a house. The difference here is that Charles and Ray designed and built their own home in 1949. It was part of the Case Study House Program sponsored by Arts and Architecture Magazine. Thanks to their design and innovative use of materials, this house is a mecca for architects and designers from all over the world.

The Eames house

The Furniture

You can't browse a design furniture magazine and don't see a piece of Charles & Ray Eames. It's really everywhere. The fact that it is still arround makes it a statement that great design has no due date.

Organic Armchair, 1940

The Organic Chair is a comfortable small reading chair and was made in 1940 as a contribution to the New York MoMA’s “Organic Design in Home Furnishings” competition. Formally speaking it was ahead of its time, but owing to the lack of manufacturing techniques, never went into series production. It was not until after 1950 that it became possible to manufacture larger quantities of organically shaped seat shells and market them.

Organic Armchair, 1940

The Plywood Group, 1945/46
LCW/DCW

Eames LCW/DCW

Eames LCW Calfs Skin

LCM/DCM

Eames LCM

Eames DCM

La Chaise, 1948

Designed in 1948 for MoMA's International Competition for Low-Cost Furniture Design, and inspired by Gaston Lachaise's 1927 sculpture 'Floating Figure', this organically-shaped chair has become a design icon. At the time it was too expensive to manufacture and so it had to wait until 1990 to be produced in small quantities. I remember this special chair from an advertising campaign for Gucci in the 90's and more recent from a bathroom brand advertisement I think. Only for those who can afford it as it costs almost 6000 Euro.

La Chaise, 1948

Sofa Compact, 1954

The sofa evolved from a built-in sofa that Charles and Ray designed for the living room of their Pacific Palisades home. It can be folded which makes it easy to transport.

Sofa Compact, 1954

Lounge Chair and Ottoman, 1956

Considered one of the most significant and widely recognized furniture designs of the 20th century, the Eames lounge chair and ottoman set has an enduring standard for comfort and elegance.

Lounge Chair and Ottoman, 1956

Aluminum Group Chairs, 1958

The chairs in the Aluminum Group are among the most famous creations by Charles and Ray Eames.

EA 107/108

EA 107/108

EA 124/125

EA 124/125

EA 116

EA 116

Lobby Chair ES 108 and ES 105, 1960

Originally designed for the lobby of the Rockefeller Center in New York.

Lobby Chair ES 108

Soft Pad Chaise ES 106, 1968

Soft Pad Chaise ES 106, 1968

The Plastic Chair Group, 1948

Plastic Armchairs were first presented as part of the famed New York Museum of Modern Art competition, 'Low Cost Furniture Design'.

Eames Plastic Side Chair, 1950

The one (DAR/DSR) commonly referred to as Eiffel chair is probalbly the most famous and affordable design chair out there.

The Plastic Chair Group, 1948

DSR, DSW, DSX, PSCC, 1950

Eames Plastic Armchair, 1948

A landmark design consisting out of organic shapes. A clean, simple form sculpted to fit the body; first presented at the Museum of Modern Art in 1948. It was the first plastic chair to be mass produced and is still very popular in todays interiors.

DAX, DAR, DAW, RAR, PACC, 1950

Eames Plastic Armchair, 1948

Eames DAX

Eames DAR

Wire Chairs DKR and DKX, 1951

Between 1950 and 1952, Charles and Ray Eames began investigating bent steel wire and various welding techniques as a basis for a new kind of furniture. After much experimentation, they molded a wire shell seat using cross-woven steel wires and mounted it on a bent-wire base.

Wire Chairs DKR and DKX, 1951

Not complete

Remember that this article isn't meant as a complete overview of the Eames and what they accomplished in their life. We didn't even talk about the film making, photograhy work etc. I only focus on what matches the modern home design section, and even then not all furniture is featured.


21served

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permalink this comment Matt J Sat Jun 16, 2007 at 04.19 pm

Great post, what astonishingly elegant furniture design. Form and function.


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permalink this comment Lan Sat Jun 16, 2007 at 05.59 pm

Good post! we aspire to it!


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permalink this comment miklb Sat Jun 16, 2007 at 06.11 pm

I stumbled upon my discovery of Eames many years ago while helping open a restaurant. We were looking for chairs for the dining room, and came across a whole lot of the plywood DCW chairs in an old warehouse. We refinished them (they had been neglected for quite some time), and didn’t even know what we had found until after opening. Customers would come in and be astonished at the fact we had a whole dining room full.  Regretfully, I never was able to get one of my own… Nice post, and btw, I really enjoyed your input at SXSW Design Workflow. I didn’t attend, but recently downloaded the podcast.  Looking forward to attending next year, and hopefully sitting in on one of your panels.


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permalink this comment Jina Bolton Sat Jun 16, 2007 at 08.18 pm

I’m a big fan.  That red LCW is super comfortable.  (My exboyfriend I used to live with had that chair).

Veerle, I love these posts.  More more more!  :D


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permalink this comment Dustin Wilson Sat Jun 16, 2007 at 09.56 pm

Thanks, Veerle! I admit I know almost nothing about furniture design. I was aware of the Eames’ work, but as a design/studio art major in college I was more exposed to their other work.

You learn something new everyday. I never realized the whole time I was in school the chairs we had some of their work just sitting there around us. We were sitting in chairs that were like their creations probably while we were discussing their other works.

Thanks.


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permalink this comment spiff72 Sun Jun 17, 2007 at 05.24 am

Great post, Veerle!

My wife frequently reads your blog and forwarded me a link to this post.  I work for Herman Miller, and I love seeing this sort of thing.  The Eames’ designs have always been my favorites in the Herman Miller catalog.  I checked out the link to Vitra, and saw the Eames Plywood Elephant.  Wow!  That was something I had never seen before!

Oddly enough, we just finished watching the film, “The Good Shepherd” tonight, and in one of the final scenes of the movie, they show a hallway at CIA headquarters that has some Herman Miller boxes on prominent display.  I had to go back and pause the movie to see if I could tell what they were, and then I noticed that the boxes were marked “Designed by Charles Eames”.  It was difficult to tell, but I think there may have been some of their chairs in plastic bags as well.

It really is remarkable how pervasive their furniture is in today’s culture…


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permalink this comment ralph Sun Jun 17, 2007 at 05.51 am

Sigh.... I so want one of those lounge chairs and ottomans....

I don’t know if they’re available in Europe, but here in the U.S., there is a 5 DVD set of the Eames’ films that’s well worth getting. Probably the best is the amazing Powers of Ten, but they had an amazing breadth of topics. The film about the Polaroid SX-70 camera is pretty cool too. And then there are the ones about their furniture, showing how the fiberglass chairs and the lounge chairs are made. Just amazing, amazing people, and very inspirational.


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permalink this comment Daryn Sun Jun 17, 2007 at 06.28 pm

I have to admit that I frequent your blog constantly but it’s always for your views/tutorials/articles on graphic and web design. I’ve always had somewhat of an interior design interest but never really pursued it. These articles spark my interest and I’ll definitely keep things like this in mind when I move. That 1956 lounge chair and ottoman is beautiful. I love the simplicity of the furniture and the form-fitting styles. I’ve always been a huge fan of minimalism in every aspect but even more so now when it comes to furniture design.


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permalink this comment Sam Mon Jun 18, 2007 at 09.12 am

I really enjoy these posts you’re coming out with lately! It will give me a good place to start when buying furniture when I get my own place in the future.

The lounge chair and ottoman look pretty darn comfy :)


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permalink this comment Vladimir Tue Jun 19, 2007 at 12.08 am

Very good Posts, nice furniture.


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permalink this comment livatlantis Tue Jun 19, 2007 at 11.30 am

It’s amazing how, in the 40s and 50s, the Eams created something so usable and, even now, so futuristic. My introduction to Charles and Ray Eams was through their awesome Powers of Ten documentary [YouTube]. Kinda puts into perspective the sort of feeling of insignificance (and paradoxically, the profoundness)


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permalink this comment Blair C. Tue Jun 19, 2007 at 07.30 pm

The Lounge Chair is the one piece of furniture I have to have before I die. I can imagine myself in 30 years, deep in thought with my glasses slid partially down my nose and a grandchild on my lap, resting in one of these remarkable chairs.

I am so happy you have been doing these other elements of design on your blog Veerle. Thank you!


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permalink this comment Andy Wed Jun 20, 2007 at 08.51 pm

Wow, nice house.


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permalink this comment andrej Thu Jun 21, 2007 at 12.38 pm

Interesting to see, how forms and colors of product design can be a huge inspiration for design the web, even though being to completely different media, regarding dimensions and interaction.

Thanks for the inspiration…


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permalink this comment Dr. Robert Blaich Sat Jun 23, 2007 at 12.45 am

Excellent coverage of the work of Charles and Ray Eames.  I had the good fortune to work with them on many peojects as the V.P. of Design at herman Miller 1960-1979. I considered Charles my mentor as well as a friend. There is so very much more to explore about the Eamses on the web and in books and films. Keep searching.

Dr. Robert Blaich
FIDSA?FRSA


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permalink this comment Bryan Tue Jun 26, 2007 at 01.04 pm

Thanks Veerle for this historical perspective. It seems that society as a whole is losing its sense of the past, and an appreciation. I as a designer need to do more to combat that.

I could start by getting me one of them lounge chairs and ottomans


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permalink this comment Anonymous Tue Jun 26, 2007 at 04.58 pm

I am so happy you have been doing these other elements of design on your blog Veerle. Thank you!


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permalink this comment Christopher Fahey Tue Jun 26, 2007 at 05.52 pm

What frustrates me about the way people understand the Eameses is that their work is almost always presented in a minimalist, almost clinical setting. The photos above, even the ones where the furniture is set in a “real” room and not just a white background, are typical studies in minimalist design, with a disdain for ornament, superfluous knick-knacks, and other decorative or cluttering elements. We are typically told that an Eames chair is designed to be put in a room with almost no other furniture, no piles of books, no pictures on the walls, no colorful throw pillows, no worn Afghan rugs, no patterned wallpaper or curtains, no hanging plants, no furniture or decorations from other time periods or styles ...

The irony of all this, of course, is that in real life the Eamses were packrats and completely infatuated with decoration, ornament, pattern, and clutter. They loved exotic colors and foreign artifacts, eclectic styles, and rich textures. The interior of their house is exactly the opposite of how Eames design is presented and described today. I wish it were otherwise—I wish more people would embrace decoration and clutter instead of being constantly obsessed with an impossible minimalist ascetic ideal.


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permalink this comment James John Malcolm (AkaXakA) Thu Jun 28, 2007 at 06.59 pm

Nice, but it looks like they’re made for little people! :(


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permalink this comment Greg Smith Wed Jul 11, 2007 at 06.07 pm

The L.A. Times ran a piece about Charles & Ray Eames shortly after you posted this. Good article, but your post was more extensive, and, of course, had many more great photos. Nice job scooping the L.A. Times. I bet it’s not often they get outdone by a Belgian blogger ;)


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permalink this comment Mark Williams Sat Jul 14, 2007 at 11.09 pm

Wow, the photo of the Aluminum Group Chairs is simply beautiful. Can anyone help? I am after more info on DSW chairs, I have a set and really know very little and am interested to know the more,what colours were released and especially what wood did the bases come in or was it just maple?



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